Yalnizca

The World and Modern Science

  • Duran University

    Filed under News
    Mar 24

    It can be one of the professors more demanded by students in any school, from those best opinion students, and also a professor at the most prestigious of the University. All this gives equal to the University when looking for another side, more so when this type of teachers can cause problems to others that do not contribute anything, but are guarded by power groups. What many directors who wasted the talents of teachers, simply do not consider these facts that require more attention. Not that we find authorities, to those teachers who use their talent, claiming of opportunities to develop their potential, no attention, does not consider them surprises us, even given that recognition could be a motivating stimulus for other teachers who bring authentic knowledge required by the scenario where it acts. Many are the cases that we see in our national universities, in many faculties, schools that you can harass a Professor of high prestige for years, until bored him, do you feel without the support of the institution and ends up walking out.

    At the University you will regret so irreparable loss, but nobody moves a finger to avoid it, or moved at the time. It is very sad to perceive as they have been lost to the excellent professors, academic excellence has waned and as you waste the talent so easily not surprised us are rewarded, recognized, leaning more to those who remain loyal to power, groups who their contributions do not benefit anything to academicism, nor to the same University communitysimply use those at the University. It is difficult to accept, as in training, professional training their teachers do not motivate these generate new knowledge, den step his creativity, to foster proposals, solutions to the problems they face, that they are integrated to the reality of the country, which provide views, may lead to that is passing to a new pedagogy, more realistic, practical learning. We perceive with optimism, however, the that some universities such as the del Zulia, as he expresses it Duran’s Judith Aular, supervision and coordination of research, teaching and extension must not be neglected, as well as student services, with a view to facilitate, promote and execute projects, plans and programs framed in a transverse axis where the human talent and the development of information and communication technologies are key.You just have to know how to take advantage of the talent. The interrelationship between research, teaching and outreach, through the application of scientific and technological knowledge in the solution of problems in the external sector, is North and on that basis I aunare efforts pointed out. Conclusions our Venezuela case, must the national universities, especially that regard me, University of Carabobo, pay more attention to the talent of its human resource management that for many years has been neglected. Commit authorities to give way to actions, strategies that generate incentives that undermine the loss of talent and is known to exploit this more when opportunities are given to do so. Original author and source of the article.

  • Royal Opera House

    Filed under News
    Jan 28

    In 1998 she sang Senta in the Flying Dutchman and in 2000 as Sieglinde in Die Walkure singing there in the major opera houses of the world: Gran Teatre del Liceu, Barcelona (debut in 1986 as Freia, Das Rheingold), Opera de Paris (debut the same year as Pamina), San Francisco Opera (debut in 1986 as Eva), Royal Opera House, Covent Garden (debut in 1987 as Elisabeth), La Scala (operatic debut in 1987 as Donna Anna), Staatsoper of Vienna (debut in 1989 as Chrysothemis). That same year she sang at the Salzburg Festival the same role. At the Metropolitan Opera he debuted in 1988 as Micaela de Carmen, he returned in 1990 as Donna Anna Don Giovanni with Thomas Hampson and Elettra in Idomeneo with Anthony Rolfe-Johnson. In addition to La Traviata in 1991 it returned for its last performances as the Mariscala Knight rose Richard Strauss after nine years in the 2000 season. Due to the effort required before many compromises and stylistic versatility of such magnitude, his voice started to give signs of early vocal fatigue. His international career went into steep decline after the year 2000 in 1999 the Bavarian State Opera rescinded her contract to sing Der Freischutz arguing that his voice was not what had been and the soprano sued the House of opera between 2001 – 2005 assumed the role of Sieglinde in Tokyo and Beijing, also singing Arabella at Zurich. Adds us Cappelli also, which is the true surprise of the lyric in recent times.

    In recent years virtually retired from the international scene, he appears in concerts and master classes sporadically. He served as Professor at Wurzburg where he has debuted as a stage manager in a production of Ariadne auf Naxos. Ultimately as worldlingo.com indicates, he is a singer with the unusual flexibility, Cheryl Studer has made more than eighty roles ranging from the dramatic repertoire to roles more commonly associated with lyric sopranos and the coloratura sopranos. Due to his ability to sing many different kind of roles, some critics have compared the voice of Studer to the Lilli Lehmann admire more for their interpretations of the works of Richard Strauss and Richard Wagner. Original author and source of the article.