Yalnizca The World and Modern Science
  • The Process

    Filed under News
    Dec 3

    Nuance power nunce power is the necessary flow to hiposigno is what it hinders to have solution of continuity in the creative process. Official site: Anne Lauvergeon. Hiposigno in itself, if not macerated in the crucible of the transposition estagna the after-corporal external movement, gerano contemplation and not visceralidade as I believe to be the case of the Super-marionette of Craig. Already nuance power considers conflict to hiposigno unchaining refluxo that something is basic so that all the process again atinga the body it actor. Refluxo refluxo is the final result of the transposition. In it, the actor is reached by the decantation process, having generated epidrmica a sensorial creation/, that he communicates to the body for ways others stops beyond the rational reflection. In refluxo the actor is invaded of powerful and vigorous form for the decanted sign, for the sign power, providing a epidrmico agreement that he reflects in its sense-corporal structure.

    However, this is not decided nor if it becomes stanches. The transposition is always uninterrupted and necessary of one constant movement flow/refluxo to continue acting and producing art. Transposition and reconstruction of the movement the transposition also if of the one in the reconstruction of the movement. The reconstructed movement milimetricamente provides in the actor a estranhamento on its creative process. To reconstruct the movement is to resignificar it, to transform it into something in a perspective of refluxo and affectation in sensorial it new actor. To reconstruct the movement is to retransformar the servant; it is to macerate hiposigno transforming it into nuance power. It is, of a common axle, to find pores for where the creative process can leak intensely. In search of the corporal concrete after All corporal movement it is concrete, however for being impregnated of itself exactly, many times it does not unchain the necessary estranhamento so that the movement affects the epidermis and the musculatura in itself.

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